Paul Delvaux

Paul Delvaux (23 September 1897 – 20 July 1994)
Paul Delvaux's career developed in the shadow of Nazi Germany. It should not come as a surprise then, that his work is known for a distinct sense of anxiety and unease. Surprisingly, that anxiety is not expressed in overtly political subjects. Delvaux was instead interested in exploring humanity and the hidden recesses of the subconscious.

Paul Delvaux
surrealism !
what is surrealism ?
in my opinion , it is above all a reawakening of the poetic idea in art
the reintroduction of the subject but in a very particular sense
that of the strange and illogical

He began his artistic training studying architecture in 1916, but soon shifted his focus to painting. While he initially found inspiration in European Expressionism, his mature style was inspired by an altogether different source: The Surrealists. Although he was not an official member of the Surrealists, he shared the group's interest in plumbing the depths of the mind. Like his contemporaries Giorgio de Chirico and René Magritte, Delvaux used bizarre subject matter rather than abstraction as a means of expressiveness. In so doing, he created uncomfortable scenes that were designed to emotionally shock the viewer.

I trust you enjoy this visit and may you be enriched with the work of masters of art
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Paul Delvaux
Harmony (1927)

Paul Delvaux
Girls by the Sea (1928)

Paul Delvaux
The Village of the Sirens (1942)

Paul Delvaux
The Musee Spitzner (1943)

Paul Delvaux
Skeletons in an Office (1944)

Paul Delvaux
A Naked Statue (1946)

Paul Delvaux
Loneliness (1956)

Paul Delvaux
The Garden (1971)

Paul Delvaux
The Tunnel (1978)

Paul Delvaux
Messaging (1980)

 

 

 

 

 

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text source   theartstory.org     |     image source   wikiart.org
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